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Every name has a song in Meghalaya’s singing village Kongthong

By: Himsiringdao Hapila




Meghalaya’s Kongthong has been in the limelight all for musical reasons – known to visitors as the singing village, where everyone has a song to their name, where people communicate in tunes — a traditional extraordinaire that is said to be on the gradual decrescendo.

In Meghalaya’s Kongthong, one from the valley called Khadar Shnong of 12 villages — people address each other in the most delightful way, by singing a song. People sing their names. People have the concept of a tune for every person, a peculiar musical tradition of identifying a person. This tradition extraordinaire has been known as Jingrwai Iawbei.

Every mother devises a tune for the child. Khasi is a matricidal society where they honour the woman who started the clan. When a woman is pregnant, she also conceives a particular tune, sometimes a birdcall, water droplets, streams, psithurism or any sound of nature, which then becomes the name of the newborn. After the birth of the child, adults around it constantly hum that tune so that it identifies with the sound.

Every time a mother dedicates a song for her son or daughter, it comes from depth of her heart. When a mother carries a baby in her womb for 9 months, she goes through so much pain. When the baby is born, the attachment that she has and the love born out of it gives out a song.

Every person in the village has a tune. So they have a short and a long tune, Short tunes are used in daily life, and long tunes used in forests to ward off evil spirits. It is believed that evil spirits can't interpret longer tunes and keeps away from causing any harm. This is an old-age tradition, the origin of which is as distant as the region itself. It is particularly useful during hunting expedition. When a group goes hunting, they use these sounds to alert fellow members without arousing the curiosity of another group that may be after the same prey.

For the people of Kongthong village, it is a mark of their identity. They don’t call each other by names but by that particular tune, and the pitch determines whether it is a distress call or just a greeting.

Their tradition also has a ceremony in which every unmarried young man sings his own tune. The one who performs the best is announced as the most popular one and is automatically chosen by the most beautiful woman as her groom. This folk cult has kept the tradition alive.

However, Jingrwai Iawbei is losing out the essence of its tradition. Locals are moving out of their villages and men are marrying women of other tribes, who are either strangers to the Jingrwai Iawbei tradition or face awkwardness in coping with it. The number of people carrying these traditions is decreasing day by day. Lesser and lesser people are now known to have musical names.

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